Today I want to talk about the edits that get done before you even think about submissions or queries. I can’t say what process will work for you, only what works for me, so long as I actually remember to do it (silly old brain).
Imagine you’ve got a finished book, some 95,000 words of your soul, several months of your life in one tiny little space. Now it’s time to make it beautiful. There’s every chance that it’s just naturally beautiful but, I imagine it, like me, might need a little makeup to get there.
I tend to write the way I would speak if doing so didn’t make me nervous like I’m telling you the story. This works for me as far as the flow and the pacing but there are downsides. There are words I overuse in my daily speaking, daily writing, and just overall. See, that was one right there. That just there. When I’m going about my process correctly, I go into my writing program (at present I’m using Word but it was the same when I used Open Office and RoughDraft) and find all the instances of the words Just, Very, Almost, So and Apparently. Once I’ve gotten rid of 95% of those, I can move to the next step. To give you some idea, just recently, I had a project of just under 50000 words in which there were 277 instances of Just and 242 instances of Very. There are now 12 and 8 respectively. This particular project only had 2 instances of Apparently. I was so proud.
After my overused words are corrected, I do double check my passive voice. It is useful and sometimes necessary to use the passive voice but in a lot of instances, there are better ways of saying what you’re wanting to say.
My last step, when all of that is done, unless I’m really trying to make a specific word count, is to cut out about 10% of the final word count. There is an old adage about killing your darlings that fits well here. If you write a phrase that is simply precious, it’s probably not necessary and just there because it’s pretty. That’s really not a good enough reason for words to be in a story. Neither is clever. If it doesn’t speak to the plot, setting, or character, stick it in a poem instead. That’s what I do with them anyway. My goal is to tell a good story in a clean, relatable and understandable way. This is how that happens for me. How it works for you, what you’re actually after in your final product, you’ll figure out as you go. Most people find their process by trial and error and a picking up bits and pieces of advice from other writers. We are all of us decorator crabs picking up a bit of this and a bit of that until it works.